Skip to main content

Modular and Glitches

 


Recently, I bought a little impulsively the new Xaoc oscillator Sofia.I do not regret it because it sounds perfectly good. And it has a large number of inputs and outputs which makes it effectively integrable with the rest of a modular system. In particular, it has 2 "Impulse" outputs which are actually comparable to the envelope of "grains". (See the Sofia doc. for a better explanation ... Because it's not exactly that, but in my case here, I use it as a "grain" envelope !)

Anyway, What can we do with these outputs ? Why not using one as an envelope in a classical way ? (means, control a VCA).Here, I'm using a Rossum Trident as sound source. And with some CV to change parameters (Pitch...), I already have of small sound particles.

It reminds me the "Clic and Cut" aesthetic (that was done digitally).
So after that, It was time to complexify the sound by adding modules... until this messy result !
(Some pitch shift, Beads, or Data Bender...)

Juste one small note: The Sofia Main otuput is used to generate the bass. And the high pitched pad is built with some Behringer / ARP 2500 modules (modded by a Befaco delay to add this noisy sound).
Both bass and pad are controlled by the same CV as for the glitches.


One more note:
I took the opportunity to try another way to use the audio outputs of the modular:
In another way, how to use creativelly  external devices as I can do inside the modular (Or in a DAW...).
Here, I'm sending some parts of the sound into differents outputs. So for example, the reverb (from OTO BAM) is activated only some time: The main audio goes through a VCA, the envelope it latched by an step of the main sequence (simply that !).

Popular posts from this blog

First step, and first thought

  After a series of videos (and also taking advantage of the traditional end/beginning of the year review...), it is now time to take a step back and submit to some small reflections. Regarding creation, the use of modular synths is not free of traps. But let's say it right away, the modular is not alone in the face of these traps: let's transpose without waiting the reflections that will follow to all the audio production equipment... Among these traps, I will distinguish here 3, illustrated by the latest videos posted. Let's first clarify the context: Aleq is a project that aims to make music (sic).... and as much as possible, personal music. This seems silly to note, but the choice, then the use of a tool (whatever it is) will differ depending on the objective. (Conscious objective or not, by the way...) For example, if it is a question of setting up a sound design company, or music for films, it will be necessary to meet the very varied expectations of customers, and t...

Oldies

Aleq project should be dedicated to the use of modular synthesizers. So, no keyboards, no desktop ? Noway, "if it's sound good, it's good." (Duke Ellington) So in this particular project, why not accepting some "all in one" synth (Even with a keyboard ?!).  I have several synth that are not eurorack modules. Not really interesting to speak about, there are a lot of good video on the web. But 2 machines can be more interesting, maybe. And both are "modular" (in fact, semi-modular...) : A RSF KOBOL, Expander I and II, with a small add: a joystick. I never see any info about this stuff on the web. I was buying the two expander, and this joystick was included, so... But it uses two 9V batteries, with no ON/Off switch, and you have to disassemble it to change the batteries: not effective ! In addition, it seems broken: needs some investigation. Or just leave it like that. Because there is another interesting machine, with 2 joysticks: An old and dirty E...

R*S SERGE VCM vs North Coast MSK013 VCO

 A small test: both modules have a wave shaping section that sound identical :